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- archives contemporary art - jean-dominique carre - 52 rue mazarine f -75006 paris france- archives.carre (at) wanadoo.fr

joseph beuys       Joseph BEUYS / Günther TOLLMANN Untitled. (Beuys performing "und in uns...unter uns...landunter" (And In Us...Beneath Us...Land Under)). 1965. Performance relic. Color polaroid by Günter Tollmann, mounted on the front cover of a pink paper folder. Signed by G. Tollmann in black ink in the lower rignt corner of the folder front cover. Two rubber stamps by J. Beuys, one in the upper right corner of the picture, another one on the folder front cover. Framed. Polaroid: 8.8x8.8 cm. Folder: 27.5x21.9 cm. Frame: 45.5x39.4 cm. Reproduced in Mathias Niehoff & Rainer Norten: "Günter Tollmann", Hirmer Verlag, Munich, 2011. A very early item. Beuys performed "und in uns...unter uns...landunter" (And In Us...Beneath Us...Land Under) on the occasion of the happening 24-Stunden (24 Hours) in 1965 at the Galerie Parnass, Wuppertal (from 12am to 12am). Organized by Beuys, Charlotte Moormann, Nam June Paik, Ekhard Rahn, Tomas Schmit, and Wolf Vostell. The action ends at midnight, marking the anniversary of D-Day on 6 June 1944.     Joseph BEUYS: Zwei Fräulein mit leuchtendem Brot (Two women with shining bread), 1966. Multiple. Card stock, chocolate and rolled scroll. 66x20.3x1.9 cm. Typos Verlag, Francfort, Germany, 1966. Edition: 500, unsigned, unnumbered. 30 copies of the edition signed and numbered as special edition. One of the 500. The very first multiple of Jospeh Beuys. Schellmann, 2, p. 38-39.   Joseph BEUYS / Henning CHRISTIANSEN: Eurasienstab. 82 min fluxorum organum. (1968). Artist poster. Printed offset black on one side, on white paper. 47x58 cm. Feb. 6 - March 3, 1968. Wide White Space, Antwerp, Belgium, 1968. Wide White Space. Behind the museum, Richter Verlag, 1994, #17, p. 242.   Joseph BEUYS: Intuition (.... instead of a cook-book). 1968. Multiple. Object. Wooden box. Inside, two horizontal lines and title drawn in black pencil by J. Beuys. Outside, on the back, red rubber stamp 'Vice' (Versand), signature and date by J. Beuys, in black pencil. 30x20x5.5 cm. Unlimited edition. Vice-Versand, Reimscheid, 1968. A very early copy. Schellmann, 8th ed., 1997, n°7, p. 46-47. "3-: new multiple art", Whitechapel Arts Gallery, London, 1970, n° 44, p. 18. "Multiples", NBK, 1974, p. 89, 91. A. Moeglin-Delcroix, Esthétique du livre d'artiste, p. 123. A. Moeglin-Delcroix, Livres d'artistes, l'invention d'un genre, 1997, n°179, p. 20.   Joseph BEUYS: Ja, Ja, Ja, Ja, Ja, Nee, Nee, Neee, Nee, Nee. 1969. Multiple. Pile of gray felt square sheets, and a magnetic tape. In its original brown cardboard packing box. 15x25x25 cm. Edition of 100 (+10 copies) numbered, stamped signature on the tape. Gabriele Mazzotta Editore, Milano, Italy, 1969. Schellmann, 8th edition, 1997, #14, p. 55.   Joseph BEUYS: Ja, Ja, Ja, Ja, Ja, Nee, Nee, Neee, Nee, Nee. 1970. Artist record. LP, 33rpm. Gatefold. With a 12p. supplement booklet bound inside. Mazzota, Milan, Italy, 1970. Edition of 500 numbered copies. Stamped signature. Schellmann 13.   Joseph BEUYS: Vacuum <--> Mass. 1970. Print. Black and white photo printed on photosensitive white canvas. 125x175 cm. Edition of 100, signed and numbered. art intermedia, Cologne, 1970. Schellmann 28.   Joseph BEUYS: Aktioner Aktionen. 1971. Exhibition catalogue. (144) pages of which 135 plates. B./w. offset photos. Softbound. 29.7x21.5 cm. Stockholm, Moderna Museet, 1971.   BEUYS, Brehmer, Buthe, Gojowczyk, Koberling, Mitzka, Neuenhausen, Perneczky, Reinert, Stenger: Marksgrafik 1972. Joseph Beuys: "Stück 17" Prints. 1 page, text + 10 plates, offsetlitho or screenprint. (1 pl. by artist, each one signed). 29.7x21 cm. Loose, in a brown paper envelope with printed in black title, list of the artists. 32.3x22.7 cm. Artintermedia, Cologne, Germany, 1972. Edition of 1000 unnumbered copies. [J. Beuys's print: "Stück 17" (Play 17), printed black on brown paper, signed by Beuys on the back in black pen]. Envelope: worn. Prints: VG. Schellmann, 8th edition, 1997, p. 84, # 46.   Joseph BEUYS: Zeichnungen von 1949-1969. 1972. Artist monograph. 57 full-page reproductions. Offset on newsprint. Paperbound. 30x21 cm. Galerie Schmela, Düsseldorf, Germany, 1972. Edition of 500 copies, signed and numbered by J. Beuys in blue ink on the first page. Schellmann, 8th edition, 1997, p. 90, #55.   Joseph BEUYS: Rose für Direkte Demokratie. Rose for Direct Democracy. 1973. Multiple. Object. Graduated glass cylinder, with inscription. 33.5x5 cm (diam.). Certificate on printed letter paper, 29.5x21 cm. Unlimited edition. Numbers 1 through 440 are signed and numbered on cerficate, with handwritten addition "Rose", stamped. Copies 441 and over withfacsimile certificate. This copy is number 377, therfore signed and numbered on cerficate, with handwritten addition "Rose" stamped, as it has to be. Staeck, Heidelberg, Germany, 1973. Schellmann, #71, p. 103.   Joseph BEUYS / Henning CHRISTIANSEN: Schottische symphonie. Requiem of art. 1973. Artist record. Double LP 30 cm, 33 RPM, in gatefold cover. 31.3x31.3 cm. Schellmann, Munich, Germany, 1973. Edition of 500 numbered copies. Photo on the front cover by M. Tischer from the Beuys and Christiansen Fluxus concert , "Komposition für zwei Musikanten". Schellmann, 8th edition, #83, p. 118. Catalogue: "d.i.s.c.o.t.h.è.q.u.e., expériences sonores d'artistes", Maison du livre et du son, Villeurbanne, France, 1989, p. (30). The record as artwork. From futurism to conceptual art, 1978, p. 71, 103. Broken Music, Berlin, DAAD, 1989, p. 100, 101.   Joseph BEUYS: Sonnenscheibe. Sun Disc. 1973. Multiple. Card box containg a record matrix (nickel-plated copper) with a die-cut hole between two felt pads stamped with brown paint (Beuys+ brown cross). 37x37x4 cm. Editions Schellmann, Munich, 1973. Edition of 77 + VII, signed and numbered, + 3 Not for Sale, unsigned copies. 1 of the 77 copies, numbered and signed in black pencil by the artist on the top of the lid, in the pasted paper label. Fine. Master-mould for the Beuys-Christiansen record "Schottische Symphonie. Requiem of Art". Schellmann, 8th ed., 1997, # 85, p. 120-121. Broken Music, p. 98-99.   Joseph BEUYS: Multiples, Livres, Catalogues à la galerie Bama. 1974. Exhibition catalogue. (32)p./pl. Text in French by R. Speck and B. Borgeaud. Wrappers. 21x15.3 cm. Exhibition: Galerie Bama, Paris: March 15-April 15, 1974; galerie du Fleuve, Bordeaux: May 1974. Edition of 500 numbered copies. Paris, Bordeaux, Gal. Bama and Gal. du Fleuve, 1974.   Joseph BEUYS: Report to the European Economic Community on the feasibility of founding a 'Free International University for Creativity and Interdisciplinary Research' in Dublin. 1975. Artist book. (132)p. text in German. Softcover. 33x20.6 cm. Rubber stamp FIU and signature by J. Beuys on the front cover. Free University Press, Dublin-London, 1975.   Joseph BEUYS: So kann die Parteiendiktatur überwunden werden. (How the dictatorship of the parties can be overcome). 1975. Multiple. Object. Polyethylene bag, printed both sides, 41x29.3 cm. Brussels, POUR, 1975. From "Saltoarte", artists box edited in support to the belgian political magazine "Pour". It comes, in the box, with three offset prints. But some copies of the bag have been distributed separatley, without the three offset prints. This copy is one of them. Signed by J. Beuys in blue ball point pen. Schellmann, 8th edition., 1997, #149, p. 164.   Joseph BEUYS: Zeichnungen Zu den beiden 1965 wiederentdeckten Skizzenbücher "Codices Madrid" von Leonardo da Vinci. 1975. Artist book. Title page, 154 p. of which 81 full-page b/w drawings, reproduced in granolithography. Two-language German-English texts by L. Da Vinci, G. Adriani. Half-cloth. 23.5x 17 cm. manus presse, Stuttgart, Germany, 1975. 1st edition. Artist Proof copy, numbered 'e.a." in the colophon page, including, on a separate double page of heavy paper, loose, folded at book format, one of the full-page drawings in granolithography, numbered ("e.a.") and signed by Beuys in black pencil. Schellmann, 8th edition, 177-185.   Joseph BEUYS: Zeige Deine Wunde (show your wond). 1976. Unpaginated (30 pages), 24 photographic plates. Text in German by Lazlo Glozer. Illustrated wrappers. 30x30 cm. Schellmann & Klüser, Munich, Germany, 1976. First edition. One of 500 copies. Signed in black pencil by J. Beuys.   Joseph BEUYS: Honigpumpe am Arbeitsplatz. Honeypump. 1977. Multiple. Transparent plastic envelope containing 1 title-card + 10 postcards. Signed in black pencil by J. Beuys on the title-card, with red rubber stamp: FIU. Envelope: 15.7x11.2 cm. Postcards: 14.8x10.5 cm. Staeck, FIU, Heidelberg, 1977. Spellmann, 8th edition, 1997, P 34-43, p. 418-419.   Joseph BEUYS: Food for Thought. (1977). Edition. Tyepd text printed offset on cream wove paper. 88x16.5 cm. Edition of 100 signed copies. Rubber stamp "Free International University". Schellmann, 8th ed. 1997, #206.   Joseph BEUYS: Stück 17. East Man. (Play 17). 1977. Print. Offset on yellow paper, stamped. Printed in black ink, on one side. Original rubber stamp "FIU" and offset reproduced rubber stamp "Hauptstrom". 29.7x21 cm. Heidelberg, Staeck, 1977. Edition: 40 + IV copies, numbered and signed by J. Beuys in black pencil. 1/40. Schellmann, 8th ed. 1997, p. 202, #211.   Joseph BEUYS: Mach den Mund weit auf/Apri bene la bocca. 1978. Print. Flyer by Jörg Frank. 8x31.5 cm. Rubber stamp "FIU". Photo Buby Durini. Serigrafia Lucio Carinci. Edition 200, signed by Beuys and Frank, numbered. Publishers: Edizioni L. De Domizio, Pescara, Italy. Fine. Schellmann, 246.   Joseph BEUYS: Coniglio. 1968. Print. Lithograph on gray cardstock. 103x26 cm. Edition: 120, signed and numbnered. Publisher: Edizioni Lucio Amelio, Naples. Excellent condition. Schellmann, 249.   Joseph BEUYS: Fondazione per la rinascita dell'agricola. 1978. Print. Screeenprint on heavy cardboard, stamped FIU. 93x63.5 cm. Edition: 75 plus a few A.P. signed and numbered. Publishers: Edizioni L. De Domizio, Pescara, Italy. Small light coffee spot at the bottom right. Very Good, near fine. Schellmann, 264.   Joseph BEUYS: Operazione GRASSELLO. Ca (OH)2 + H2O. Difesa della natura. FIU for Creativity and Interdisciplinary Research, Italian section "Instituto per la rinascita dell'agricoltura". 1979. Artist book. (6)p. + (34)pl. b/w photos. Softcover. 31x23.2 cm. De Domizio, Pescara, Italy, 1979. Edition of 200 copies, numbered and signed by Beuys. Rubber stamps "FIU" and "Die Gunen" on the front cover. Schellmann, #311, p. 254.   Joseph BEUYS. GDR (DDR) paper bag. Hygienisch Damesbrand Enz (For Sanitary Towels, etc). 1977-80. Multiple. White paper bag printed dark blue. 26x15.9 cm. Edition of approximately 350 unnumbered copies. Edition Staeck, Heidelberg, Germany. Signed by Beuys in black pencil. Fine condition. Reference: Schellmann, 1997 n° 324.   Joseph BEUYS. GDR (DDR) paper bag. Durch Leistung zum Begriff geworden. (Famed because of Performance). 1977-80. Multiple. Brown paper bag printed gray-blue. 29x11.6 cm. Edition of approximately 350 unnumbered copies. Edition Staeck, Heidelberg, Germany. Rubber stamped. Signed by Beuys in black pencil. Fine condition. Reference: Schellmann, 1997 n° 324.   Joseph BEUYS: ... Macht die Geheimmise produktiv!. Joseph Beuys FIU-Initiative Wangen Allg.-4. 80's. Artist postcard. 10.5x14.8 cm, mounted on a card sheet, 32.6x42.8 cm. Text-title printed black on a tipped-in white paper label. Signed in red ink by Beuys on the front side. FIU rubber stamp and numbered on the back side.   Joseph BEUYS: Es kommt alles auf den Wärme-charakter im Denken an! Das ist die neue Qualität des Willens. Joseph Beuys. '80s. Artist postcard. 10.5x14.8 cm, mounted on a card sheet, 32.6x42.8 cm. Text-title printed black on a tipped-in white paper label. Signed in red ink by Beuys on the front side. Numbered on the back side.     Joseph BEUYS & James Lee BYARS Frammenti Veneziani (I - IIIIIIIIII). 1980. Prints. Work in common. 10 screenprints and graphite on black wove: 5 plates by Joseph Beuys and 5 by James Lee Byars. Inside a black wooden box with sliding lid. Each plate by J. Beuys is numbered and signed in black pencil on the verso. Each plate by J.L. Byars is signed in black pencil on the verso. Each plate: 35x50 cm. Box: 38.5x54x4 cm. Edition: 50 + X, signed and numbered. One of the 50, signed and numbered. Edizioni Factotum-Art, Verona, 1980. Complete. Fine condition. Reference: Schellmann: J. Beuys, the Multiples, 8th edition, # 339-343, p. 274-275.   Joseph BEUYS: Words Which Can Hear. 1981. Exhibition catalogue. Unpaginated. 4 pages and 19 offset plates printed black on one side reproducing drawings created in 1975 by J. Beuys. Hardbound, illustrated covers. 30.4x21.5 cm. One of the 250 copies signed and numbered by J. Beuys in the colophon page. A. D'Offay, London, UK, 1981.   Joseph BEUYS: Difesa della natura. 1981. Print. Screenprint on machine-made wove. 99.5x67.5 cm. Photo Buby Durini. Edition: 300 signed and numbered. Publishers: Edizioni L. De Domizio, Pescara, Italy. Fine. Schellmann, 378.   Joseph BEUYS L'Arte è una Zanzara dalle mille ali. 1981. Prints. Four (4) photoetchings on wove. Each: 78x56 cm (30.75x22 in.). Edizioni Factotum-Art, Verona, Italy, 1981. Edition of 50 + X + 3 A.P. copies. 1 of the 50. Each photoetching is numbered and signed in black pencil in the lower margin. Each plate framed. Condition: pl.3: circular light discoloration (diam. 2cm) in the lower left corner, in the black ink; tiny light discoloration in the lower right corner, in the black ink; pl.4: light small foxing spot in the left margin, center, to the edge; overall: nothing really visible, nothing altering, corrupting the aspect of the work: very good+, near fine. Reference: Schellmann, #395-398, p. 310-311.   Joseph BEUYS: C'est la fin de la fin des Latins. 1982. Multiple. Metal sign with baked enamel. 8x60 cm. L. & M. Durand-Dessert, Paris, 1982. Edition of 100 (+16, AP) copies, numbered and signed on the back. Schellmann 414.   Joseph BEUYS: The Morning (Der Morgen) I - IV. 1982. Print. 4 colored postcards printed on the same page. Photographs by Staeck and Steidl of the room...irgendein Strang (Some rope or other) in the exhibition Westkunst, Cologne, Germany, 1981 (originally shown at Galerie Schmela, Düsseldorf, opening on Nov. 26, 1965). Schellmann, P 48-50.   Joseph BEUYS: Blotting paper (from Olivestone). 1984. Print. Typography, in black and green inks, on white blotting paper dipped in olive oil. Under a sheet of translucent paper and a green paper cover rubber stamped with the publisher's name and address. 29.5x8.5 cm. Edizioni Lucrezia De Domizio, Pescara, Italy, 1984. Edition: 250 copies, numbered and signed by J. Beuys on the back of the blotting paper, in black pencil. Schellmann, 8th ed., 1997, p. 374, #505.   Joseph BEUYS: Postkarten. (1985). Artist postcards. 80 postcards (10.5x14.8 cm) by J. Beuys. In a card box (17.2x12.4x3.2 cm) with printed lid. Complete. Edition Staeck, Heidelberg, Germany, n.d. 1st edition.   Joseph BEUYS: Filzpostkarte (Felt postcard). (1985). Multiple. Object. Artist postcard. Screenprint on felt. 10.5x15x0.9 cm. Editions Staeck, Heidelberg, (1985). Unlimited, unnumbered, unsigned edition. Schellmann, 8th ed., #539, p. 396.   Joseph BEUYS: Holzpostkarte (Wooden postcard). (1985). Multiple. Object. Artist postcard. Screenprint on thick wooden board. 10.5x15x3.3 cm. Editions Staeck, Heidelberg, (1985). Unlimited, unnumbered, unsigned edition. Schellmann, 8th ed., #104 p. 133.   Joseph BEUYS: Eurasienstab. 1987. 92 pages. 54 b/w photos from the Paul de Fru's film. Text in German, French, Flemish by Anny De Decker and Antje von Gravenitz. Cloth with author and title printed on a paper label mounted on the front cover. Author, title printed on the spine. In a card slipcase (top restaured) with author and title printed on a paper label mounted on the front. 30.2 x 21.4 cm. Edition of 700 numbered copies. Anny De Decker Gallery, Antwerp, Belgium, 1987.     We are interested in purchasing artist books, multiples, prints and unique artworks by this artist. Please contact us. Nous sommes intéressés par l'achat de livres d'artiste, estampes, multiples et oeuvres uniques de cet artiste. Merci de nous contacter. .

 

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