archives Jean-Dominique CARRE Contemporary Art
avant-gardes of the sixties and seventies
10 rue de la grande chaumière f -75006 paris france
archives.carre (at) wanadoo.fr
http://archives.carre.pagesperso-orange.fr
http://archives.carre.pagesperso-orange.fr
douglas huebler
Seth SIEGELAUB: "The Xerox Book". (C. Andre, R. Barry, D. Huebler, J. Kosuth, S. LeWitt, R. Morris, L. Weiner). 1968.
Artist book.
(370) pages/plates. Paper cover. 28x21 cm. N.Y., Seth Siegelaub & Jack Wendler, 1968. 7 original 25-page works, using photocopy, by the 7 artists.
L.R. Lippard, Six years, p. 64. J. Lyons, Artists' Books, p. 46, 111. G. Celant, Book as Artwork, p. 36. A. Moeglin-Delcroix, Esthétique du livre d'artiste, p. 171, 380; Livres d'artistes, l'invention d'un genre, 1960-1980, p. 4, 6, n°21; Livres d'artistes, p. 36-38.
Douglas HUEBLER: November 1968. 1968.
Artist book.
20p. Wrappers. 20x20 cm. NY, Seth Siegelaub, 1968.
1st art exhibition to exist only in the form of a catalogue "showing" the artwork and its own documentation.
Lippard , Six Years, 60-61.
July, Agust, September 1969 / Julliet, Août, Septembre 1969 / Juli, August, September 1969. Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol Lewitt, Richard Long, N.E. Thing C° LTD., Robert Smithson, Lawrence Wiener.
Artist book.
(26)p./pl. Wrappers. 27x21 cm. Seth Siegelaub, N.Y., 1969.
Catalogue of a show taking place simultaneously in 11 different places in the world.L'art conceptuel, une perspective, MAMVP, 1990, p. 249.
Douglas HUEBLER: Location Piece #2. 1969.
Artist book.
(19)pl./pl. Text in English. 18x18 cm. Housed in a white paper envelope. Multiples, N.Y., 1969. From Artists and Photographs.
Seth SIEGELAUB: March 1969. "One Month". March 1-31, 1969.
Artist book.
(3) + 31 pages/plates. 1 page/plate a day. Staple bound. 21.6x17.8. Totally virtual show, in the shape of a calendar. This calendar is the show. 31 artists invited by S. Siegelaub. Each artist per day, in alphabetical and chronological orders. C. Andre, M. Asher, T. Atkinson*, M. Baldwin*, R. Barry*, R. Barthelme*, I. Baxter*, J. (L.) Byars*, J. Chamberlain*, R. Cooper*, B. Flanagan*, D. Flavin, A. Hay*, D. Huebler*, R. Huot*, S. Kaltenbach*, On Kawara, J. Kosuth*, C. Kozlov*, S. Lewitt, R. Long*, R. Morris*, B. Nauman, C. Oldenburg*, D. Oppenheim*, A. Ruppersberg*, Ed Ruscha, R. Smithson*, de Wain Valentine*, L. Weiner*, I. Wilson*.
(*= has given a work). New York, S. Siegelaub, 1969.
Lyons, Arists' Books, p. 94. A. Moeglin-Delcroix, Esthétique du livre d'artiste, p. 142-143. L'art conceptuel, une perspective, MAMVP, 1990, p. 249. L'art conceptuel I, capc Bordeaux, 1988, p. 131.
ARTE POVERA- Germano CELANT: Arte Povera. 1969.
Art monograph.
240 pages. Many offset b./w. photo by, among others, C. Abate, A. Morain, Shunk-Kender, P. Gilardi, R. Burckhardt, P. Moore, B. Marconi, W. Russell, E. Beuys, U. Klophaus, B. Brown. Artists: W. de Maria, M. Pistoletto, S. Kaltenbach, R. Long, M. Merz, D. Huebler, J. Beuys, E. Hesse, G. van Helk, J. Kounellis, L. Weiner, L. Fabro, B. Nauman, J. Kosuth, J. Dibbets, G. Anselmo, R. Barry, P.P. Calzolari, D. Oppenheim, B. Flanagan, R. Smithson, R. Ruthenbeck, A. Boetti, K. Sonnier, G. Penone, F.E. Walther, H. Haacke, G. Zorio, R. Morris, M. Boezem, E. Prini, R. Serra, lo Zoo. Original illustrated wrappers. 22.7x20.7 cm. Gabriele Mazzotta, Milano, 1969. 1st edition.
Lucy R. LIPPARD: 955,000. An exhibition organized by Lucy Lippard, The Vancouver Art Gallery, January 13 to February 8, 1970.
Exhibition catalogue.
137 + 1 cards, loose. Each card: 10.2x15.3 cm. Among the 62 artists in the exhibition: Acconci, Andre, Arnatt, Artschwager, Atkinson, Baldessari, Baldwin, Barry, Barthelme, Bochner, Burgy, Buren, Castoro, Darboven, de Maria, Dibbets, Graham, Haacke, Heizer, Hesse, Huebler, Kaltenbach, Kawara, Keinholz, Kosuth, Kozlov, Latham, Le Va, LeWitt, Mc Lean, Morris, Nauman, N.E. Thing Co., N.Y. Graphic Worshop, D. Oppenheim, Perreault, Piper, Ruppersberg, Ryman, Ruscha, Sandback, Serra, Smithson, Sonnier, Wall, Weiner, I. Wilson...
18 Paris IV 70. Exposition à Paris, Avril 1970. An exhibition in Paris, April 1970. Eine Ausstellung in Pairs, April 1970.
WILSON Ian, WEINER Lawrence, TORONI Niele, RYMAN Robert, RUSCHA Edward, LONG Richard, LEWITT Sol, LAMELAS David, KAWARA On, HUEBLER Douglas, GUINOCHET François, GILBERT & GEORGE, DJIAN Jean-Pierre, DIBBETS Jan, BUREN Daniel, BROUWN Stanley, BROODTHAERS, BARRY Robert.
Artist exhibition poster.
Printed offset in dark blue on white paper, on one side. Text: WILSON Ian, WEINER Lawrence,TORONI Niele, RYMAN Robert, RUSCHA Edward, LONG Richard, LEWITT Sol, LAMELAS David, KAWARA On, HUEBLER Douglas, GUINOCHET François, GILBERT & GEORGE, DJIAN Jean-Pierre, DIBBETS Jan, BUREN Daniel, BROUWN Stanley, BROODTHAERS, BARRY Robert. 18 PARIS IV. 70 66 rue Mouffetard Paris 5°. Premier jour Samedi 4 Avril, 11 h-17 h 30. Opening: 4 April, Saturday, 11:00-5:30. Eröffnung: Samtag, 4 April, 11.00 h-17.30 h.
C. Millet, L'art contemporain en France, Flammarion, P., 1987. D. Buren: Mot à Mot, Centre Pompidou, Barral, La Martinère, P., 2002, M 8-11.
Douglas HUEBLER: Variable Piece 106. London. 1973.
Art & Project Bulletin.
(6)p./pl. Text in English and offset b/w photos. 29.7x21 cm. Art & Project Bulletin, Amsterdam, 15.8.1973.
Douglas HUEBLER
Location Piece #60. Paris.
Lithograph of 9 color photographs and typed text (statement).
56 x 78 cm
Edition of 50, numbered and signed in black pencil in the lower left corner.
1974.
STATEMENT:
1. FROM THE SAME RELATIVE LOCATION MAKE NINE PHOTOGRAPHS (BLACK AND WHITE, OR COLOR) THAT ALTOGETHER EXPRESS SIMILAR CHARACTERISTICS TO THE ONES PRINTED ABOVE AND ATTACH THEM ONTO THE SURFACE THAT CONSTITUES THE SECOND PART OF THIS DUAL PRINT.
2. FROM THE SAME RELATIVE LOCATION MAKE A SINGLE PHOTOGRAPH THAT SYNTHESIZES THE CHARACTERISTICS OF THE ONES PRINTED ABOVE. ENLARGE THAT PHOTOGRAPH TO ANY DESIRED SIZE AND ATTACH TO THE SECOND SURFACE.
3.FROM ANY OTHER LOCATION IN THE WORLD PERFORM AS DIRECTED IN EITHER "1" OR "2".
4. SIT FOR ONE PERIOD OF TIME AT ONE OF THE TABLES OF THE CAFE DE FLORE AND WRITE DOWN ANY NUMBER OF THOUGHTS THAT OCCURS DURING THAT TIME. LATER TRANSCRIBE ALL OR SOME OF THOSE THOUGHTS ONTO THE SECONG SURFACE.
5. SELECT THE MOST INTERESTING PHOTOGRAPHS FROM THOSE PRINTED ABOVE, INFORM THE ARTIST OF YOUR CHOICE AND RECEIVE FROM HIM A GLOSSY ENLARGEMENT OF IT THAT SHOULD THEN BE ATTACHED TO THE SECOBND SURFACE.
6. SELECT THE MOST INTERESTING PHOTOGRAPHS FROM THOSE PRINTED ABOVE, INFORM THE ARTIST OF YOUR CHOICE, INCLUDE A CHECK FOR $500, AND RECEIVE A PENCIL DRAWING OF IT THAT SHOULD THEN BE ATTACHED TO THE SECOND SURFACE.
7. OBTAIN THE SIGNATURES OF TEN OR MORE PEOPLE WHOSE NAMES SIGNED ON THE SECOND SURFACE SIGNIFIE THEIR COLLECTIVE AGREEMENT THAT IT IS BEST TO DO NOTHINGTHE STATEMENT AND THE PHOTOGRAPHS PRINTED ON IT JOIN WITH WHATEVER IS EXPRESSED ON THE SECOND SURFACE AS THE FINAL FORM OF THIS WORK."
DOUGLAS HUEBLER. MAY 1974
We are interested in purchasing artist books, multiples, prints and unique works of art by this artist.
Please contact us.
Nous sommes intéressés par l'achat de livres d'artiste, estampes, multiples et oeuvres uniques de cet artiste.
Merci de nous contacter.
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Jean-Dominique CARRE Post-War and Contemporary Art
a r c h i v e s
Jean-Dominique Carre
avant-gardes of the sixties and seventiessur rendez-vous - by appointment
contact par e-mail - contact by e-mail
10 rue de la grande chaumière
f -75006 paris france
archives.carre (at) wanadoo.fr
http://archives.carre.pagesperso-orange.fr
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