archives Jean-Dominique CARRE Contemporary Art
avant-gardes of the sixties and seventies
52 rue mazarine f -75006 paris france
tel. (33)(0)1 * 43 * 54 * 12 * 64
mob. (33)(0)7 * 69 * 17 * 25 * 00
archives.carre (at) wanadoo.fr
http://archives.carre.pagesperso-orange.fr

maurizio nannucci       Maurizio NANNUCI: Black. 1967. 2 of the plates, detail Edition. Prints. 6 black silkprints plates in a white paper portfolio, loose. The word "Black" is printed in shiny black ink on black matt paper, becoming larger and larger, plate after plate, till it covers the entire last sheet. Title embossed on the front cover. 21x21 cm. Edition A, Frankfurt, 1967. Edition of 50 copies, all numbered and signed by Nannucci on the back of the last plate. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 3.       Maurizio NANNUCI: Poem. 1968. Multiple. Object. Rubber stamp, wood and rubber, to print the word "POEM". Packaged in a clear rhodoid box with lid. 6.5x3.5x4.2 cm. Unlimited edition. Firenze, Exempla, 1968. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 3. Catalogue L'Empreinte, Paris, Centre Pompidou, 1997, n° 68, p. 216, 219.       Maurizio NANNUCI: Universum, volume I and volume II. 1969. Multiple. Object. "Book" bound on both vertical edges, the two volumes face to face. Full dark blue leather binding. Inside a marbelized cardboard slipcase. 18.5x11.7 cm. On the two spines, stars and title printed gold. Bianconero, Rome, 1969. Unspecified edition size. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 4.       Maurizio NANNUCI: Exempla. Documenti di poesia concreta e visuale raccolti da Maurizio Nannucci. Documents of concrete and visual poerty edited by Maurizio Nannucci. 1970. Edition. 4 p. and 32 cards with a silkprinted poem, an artist a card. Loose, under a black heavy paper folder and a slipcase. 20x10.9 cm. Exempla, Florence, 1970. Edition of 200 numbered copies. 32 participating artists: H. de Vries, J. Kolar, B. Cobbing, C. Parmiggiani, A. Spatola, M. Bentivoglio, J. Gerz, P. de Vree, M. Goeritz, E. Gomringer, J. Furnival... Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 5.       Maurizio NANNUCI: Poesia sonora. Antologia internazionale di ricerche fonetice a cura di Maurizio Nannucci. 1975. Record. 33 rpm LP vinyl record in paper sleeve. Sugar/CBS, Milan, 1975. 1st Italian anthology of sound poetry: Cobbing, Chopin, de Vree, Dufrêne, Gysin, Hanson, Heidseick, Jandl, Totino, Mon, Nannucci, Petronio. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 10. Catalogue: "d.i.s.c.o.t.h.è.q.u.e., expériences sonores d'artistes", Maison du livre et du son, Villeurbanne, 1989, p. (30). Broken Music, Berlin, DAAD, 1989, p. 236.       Maurizio NANNUCI: Rose Aux. 1975. Artist publication. Edition. Manilla paper envelope containing the original contributions (mail art pieces) of the 20 artists to whom M. Nannucci pays homage: Armleder-Garcia-Lucchini, Ben, Boetti, Brecht-Filliou, Buren, Byars, Chiari,Crozier, Dias, Friedman, Gerz, Kounellis, Paolini, Parliggiani, Tot, Ulrichs, Garcia-Lucchini, Ben, Boetti, Brecht-Filliou, Buren, Byars, Chiari, Crozier, Dias, Friedman, Gerz, Kounellis, Paolini, Parliggiani, Tot, Ulrichs, Williams. Edited on the occasion and as the catalogue of the M.N.'s show at the Ecart Gallery, Geneva, Switzerland. Edition Ecart, Geneva, 1975. Edition of 250 unnumbered copies. Catalogue Nannucci, Bibliothèque Nationale, Paris, p. 10. L. Bouvier and C. Chérix: L'irrésolution commune d'un engagement équivoque: Ecart, Genève 1969-1982: n° 27, p. 125.       Maurizio NANNUCI: Always endeavor to find some interesting variation. 1975. Multiple. Object. White enamelled metallic plate, street sign, with text in black "Always endeavor...". 13x16.5 cm. Exempla, Florence, 1975. Edition of 30 copies, numbered and signed on the back. Inside the original manilla paper envelope, 23.2x15 cm., with the same text "Always..." silkprinted in white on the front side. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 11.       (Maurizio NANNUCCI) Méla postcard book / A collection of artists' postcards edited by Maurizio Nannucci. 1979. Set of 48 9.5x15 cm artists postcards, most of them in colors. Loose, inside a cardboard folder and a slipcase. Bianconero, (Rome, (1979). Contributing artists: Andersen, Baldessari, Bartoloni, Baruchello, B.& H. Becher, Beuys, Byars, Boetti, Burden, Buren, Cage, Chiari, Coleman, de Vries, Feldmann, Filliou, Finlay, General Idea, Gette, Iannone, Johnson, Kolar, Le Gac, Lewitt, M. & M. Nannucci, Ontani, Roth, Rainer, Ruscha, Ben Vautier, Williams, etc. First publication in a series of special editions published between each issue of the magazine Mela. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 16.       Maurizio NANNUCI: El Possible Plan de lo Impossible/ El Impossible Plan de lo Possible. 1990. Multiple. Object. White billiard ball, diameter 6 cm, on which in engraved in black the title/text in one line, all around the perimeter. Wrapped in a piece of green felt and placed in a wooden cubic box with sliding lid, 9x9x9 cm. Edition of 50 copies, numbered and signed on the certificate. Madrid, Estampa, 1990. Fine. Catalogue Nannucci, Bibliothèque Nationale, Paris, 1994, p. 26.       Maurizio NANNUCI: P.I.I.T.L. (Perfect Is In The Louvre) Artist book. A cream paper sheet of paper folded in four, forming 8 pages, including the covers. Sewn. 21 x 14.5 cm. M. Nannuci, Exempla & Exit Editions et Zona Archives, Florence, Italy, 1990. Homage and support to the book realized by James Lee Byars: J.-H.M.B.P.F.F. (Jean-Hubert Martin Bought Perfect For France), Germain et Ribettes, Paris, France, 1989. This book was an homage by Byars to the format and design of the cover of the “Collection Blanche”, NRF, Éditions Gallimard James Lee Byars found “perfect”. For this homage, Byars used the same paper, the same design as the Collection Blanche which earned him a publication ban by Gallimard editions, threatening to sue him. Nannucci here, doing the same as Byars, pays homage to the Byars’ book, in the same time supporting it against the éditions Gallimard.       Maurizio NANNUCI: There's no reason to believe that art exists. 1997. (recto & verso) Multiple. Shopping bag. Text printed red on blue background on one side and blue on red on the other one. Bottom yellow and blue. 40x31x13 cm. Unknown edition size. Fabbrica Europa, Florence, Italy, 1997. As new.           We are interested in purchasing artist books, multiples, prints and unique works of art by this artist. Please contact us. Nous sommes intéressés par l'achat de livres d'artiste, estampes, multiples et oeuvres uniques de cet artiste. Merci de nous contacter.   .

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