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archives jean-dominique carre contemporary art 52 rue mazarine f -75006 paris france- archives.carre@wanadoo.fr
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archives jean-dominique carre contemporary art 52 rue mazarine f -75006 paris france- archives.carre@wanadoo.fr
recent acquisitions
ARMAN (Armand Fernandez)
Untitled (La Revanche de Tsé-Tsé/Tsetse's revenge). 1962.
Unique.
Coupe.
Mixed technique. Flytox insecticide spray cut in two parts by the middle mounted on board.
Housed in a clear plexiglas box.
61x46x10.5cm.Dated 1962 on the back.
Signed in black pencil by Arman in the front lower right corner.Condition: excellent.
Provenance:
given by the artist to the owner.Registered at the Denyse Durand-Ruel archive under n° 8840 (certificate).
ARMAN (Armand Fernandez)
Untitled (Violins). 1986.
Unique.
Accumulation.
Embossed carboard (violins) mounted on board.
Housed in a clear plexiglas box.
135x105x7 cm.Signed and dated by Arman.
Condition: excellent.
Provenance:
given by the artist to the owner.Registered at the Arman archive, under n° 2980.
Certificate dated and signed by Arman.
Joseph BEUYS / Günther TOLLMANN
Untitled. (Beuys performing "und in uns...unter uns...landunter" (And In Us...Beneath Us...Land Under)). 1965.
Performance relic.
Color polaroid by Günter Tollmann, mounted on the front cover of a pink paper folder.
Signed by G. Tollmann in black ink in the lower rignt corner of the folder front cover.
Two rubber stamps by J. Beuys, one in the upper right corner of the picture, another one on the folder front cover.
Framed.
Polaroid: 8.8x8.8 cm.
Folder: 27.5x21.9 cm.
Frame: 45.5x39.4 cm.Reproduced in Mathias Niehoff & Rainer Norten: "Günter Tollmann", Hirmer Verlag, Munich, 2011.
A very early item.
Beuys performed "und in uns...unter uns...landunter" (And In Us...Beneath Us...Land Under) on the occasion of the happening 24-Stunden (24 Hours) in 1965 at the Galerie Parnass, Wuppertal (from 12am to 12am). Organized by Beuys, Charlotte Moormann, Nam June Paik, Ekhard Rahn, Tomas Schmit, and Wolf Vostell. The action ends at midnight, marking the anniversary of D-Day on 6 June 1944.
Joseph BEUYS & James Lee BYARS
Frammenti Veneziani (I - IIIIIIIIII). 1980.
Prints.
Work in common.
10 screenprints and graphite on black wove inside a black wooden box with sliding lid: 5 by Joseph Beuys and 5 by James Lee Byars.
Graphite on black wove.
Each plate by J. Beuys is numbered and signed in black pencil on the verso.
Each plate by J.L. Byars is signed in black pencil on the verso.
Each plate: 35x50.
Box: 38.5x54x4 cm.
Edition: 50 + X, signed and numbered.
One of the 50, signed and numbered.
Edizioni Factotum-Art, Verona, 1980.
Complete.
Reference:
Schellmann: J. Beuys, the Multiples, 8th edition, # 339-343, p. 274-275.
Christian BOLTANSKI
A la Fenêtre. 16 mm film. 1973.
Announcement.
For the film projection of the 16 mm film "A la Fenêtre", at Ben (Vautier) and Annie's, Nice, France, June 09, 1973.
Reference:
Les Modèles, Cheval d'Attaque, Paris, 1979, p. 3 of the bibliography, films section.
Marcel BROODTHAERS
Un coup de dés jamais n'abolira le hasard. Image. (1969).
Artist book.
32 pages. Soft cover.
32.5x25 cm.
1/300 copies on opaque paper, of the "Catalogue" edition. Wide White Space Gallery, Antwerp, Belgium, M. Werner Gallery, Cologne, Germany, 1969.
"On 25th November 1969, in Antwerp, this picture was printed in 10 copies on anodized aluminium, numbered I to X and 90 copies on translucent paper numbered from 1 to 90. All comprising a first edition. The model of this approximate picture is the first edition of the poem 'Un coup de dés jamais n'abolira le hasard' by Stéphane Mallarmé, published in 1914 by Librairie Gallimard. The copies on translucent paper have two cards cut to the size of the page which the reader can use to mask one or two pages of his choice. As well as the first edition, a 'catalogue' edition of 300 copies was also printed on opaque paper."
Condition:
A small bend along the top of the front cover and the two first pages. A very good+ copy, almost fine.
Reference:
M. Werner, Cologne, 1982: M.B., Catalogue of the books, #8, p. 24-27. Catalogue, Jeu de Paume, Paris, 1991, p. 140-143 (reprod.), 310. "M.B.", Walker Art Center, Rizzoli, 1989: p. 47, 152.
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Lucien CLERGUE
Le Test des Vignes. 12 photographies par Lucien Clergue (1962).
12 loose leaves, each with a +/- 4x3.5 cm (1.6"x1.4") original black and white photograph (gelatin silver print), tipped-in on each leave, on one side.
Loose, in card folder.
16.2x8.4 cm [6"x3.3"].
Text (titles, colophon, and wrappers) are written out by hand by Clergue, who also signed the back cover. Covers, pages and plates of the same brown card. Privately printed,
Book entirely made by hand.
Tear to spine (1.5 cm long) on the back. Very good+.
First edition of 500 numbered and signed copies.
Published on the occasion of the Lucien Clergue's show at the Musée des Arts Décoratifs, Paris, 1962.
Mirtha DERMISACHE:
Texto, 1974. 2011.
Artist publication. Chromopalladium salts prints.3 plates of graphics in colors, each one inside a double sheet of white paper. Loose, wrapped in a white paper folder. Vertical paper band of white paper wrapping the publication, with, on the front side, black offset printed author's name, title, colopohon on the back side.
Each plate has been printed in chromopalladium salts.
Folder: 19x23.5 cm. Plates: 28x23 cm.
Editions de la Mangrove, Geneviève Chevalier & Fajole éditeurs, atelier Alban Chassagne (printer), Nïmes and Paris, France, 2011.
First edition.
Edition of only 8 sets of 3 plates, of which 4 stes for the HC (Not for Sale) copies and 4 sets for the "Editio Princeps" (E.P.) copies.This copy is one of the 4 sets of the editio princeps, n°e.p.4.
Titled, dated (1974) and signed in black pencil by M. Dermisache inside the paper band.Reference:
Catalogue of the show "Mirtha Dermisache, Publicaciones y dispositivos editoriales", Pontifico Universidad Católica Argentina, Pabellón de las Bellas Artes, Buenos Aires, Argentina, 2011, p. 17 (reprod.); pp. 23, 24.Se more items by Mitha Dermisach
FLUXUS Newspaper N°9.
JOHN YOKO & FLUX all photographs copyright nineteen seVenty by peTer MooRE. Fluxus No. 8 (sic, misnumbered, in fact, N° 9), 1970.
Artist periodical.
A large white card sheet, printed on both sides, folded in 4. Contents consist only in photographs of John Lennon and Yoko Ono by Peter Moore.
55x43.5 cm.
Inserted, loose, a blue-green card sheet printed on both sides in black, identifying the contents.
15.3x15.2 cm.
Edited by R. Watts.
Published by Fluxus, NY, 1970.
Reference:
Silverman 592; Fluxus Codex p. 99f. (illus.); Phillpot/Hendricks 44.
GILBERT & GEORGE the sculptors. 1974.
Dark shadow.
Artist book.
131 pages or plates, offset photos.
Cloth binding, originally painted by the artists: each cover is different.
19.5x13.5 cm.
London, N. Greenwood, Art for All, 1976. 1st edition.
Edition: 2000 copies, numbered and signed by the two artists.
Dan GRAHAM
Two Parallel Essays: Two related projects for slide projector & Photographs of motion. 1970.
Artist book.
8p. Text in English by D. Graham with drawings. Stapled bound soft cover. 3 offset b/w photographs on the front cover. 28x17.5 cm. Originally published as an element of the boxed set Artists and Photographs. 1st edition of 1,200.
Fine condition, as new.
Great Britain: 3-color silkscreen print,
83x70 cm.
Raymond HAINS
La Biennale Éclatée. 1976.
Complete portfolio of 7 prints.
7 original silkprints (and 1 reproduction -silkscreen print also- of the original Hains piece, the torn poster: "Venezia Viva", 1975).
Loose, in a printed card portfolio.
The 7 original prints reproduce the covers of the catalogues of some of the national participations in the Venice Bienales, distorted:
Spain, U.S.A., Japan, Great Britain, Israel, Brazil, Cin... Cin... Cinzano (China).
Complete.
Galleria l'Elefante, Venice, Italy, 1976.
Edition of 120 copies.
Each plate is dated, numbered and signed by R. Hains.
Brazil: 4-color silkscreen print, 82x70 cm.
Japan: 3-color silkscreen print, 84x60 cm.
Great Britain: 3-color silkscreen print, 83x70 cm.
Israel: 1-color (black) silkscreen print, 70x80 cm.
Spain: 2-color silkscreen print, 70x80 cm.
Cin... Cin... Cinzano (China): 2-color silkscreen print,. 60x84 cm.
U.S.A.: 2-color silkscreen print, 60x80 cm.
Raymond HAINS
Renault.
Print.
Silkscreen print and photolithograph.
93x70 cm.
Galleria l'Elefante, Venice, Italy, 1988.
Edition of 99.
Dated 1988, numbered and signed by R. Hains.
Raymond HAINS
La Biennale di Venezia.
35a Biennale internazionale d'arte.
Print.
Silkscreen print and photolithograph.
100x70 cm.
Galleria l'Elefante, Venice, Italy, 1988.
Edition of 99.
Dated 1988, numbered and signed by R. Hains.
Michel JOURNIAC
Approche d'un Travesti. 1974.
Unique.
Three syringes filled with red glass pearls, "acrylicised" man underpants mounted on canvas painted in white, black letraset transfer letters.
62x50 cm.
Dated 1974 and signed in the lower right corner in black felt pen.
On the back, handwritten dedication in black felt pen: "A Jacqueline, Mimy, en approche dérisoire du corps, les fétiches du sexe et du sang en transmutation du désir".
Michel JOURNIAC
La Cover Girl. 1. 1974.
Unique.
Photography (Michel Journiac disguised in "Cover Girl") mounted on wooden board, collage of white plastic letters.
50x39 cm.
Dated 1974 and signed in the lower right corner in black felt pen.
From the 24-hour-long action "24 heures dans la vie d'une femme ordinaire; Fantasmes/Réalités". One of the "Fantasmes". This action was published in the artist book "24 heures dans la vie d'une femme ordinaire. Fantasmes/Réalités" by the Editions A. Hubschmid, Paris and Zurich, in 1974.
MAIL ART. Jean-Marc POINSOT: Mail Art, Communication, A distance concept. 1971..
Art monograph.
28pp., foreword by Jean Clair, bilingual French-English text by J.-M. Poinsot, bibliography, + 22 b./w. plates featuring the artists and their works of Mail Art, classified under the alphabetical order of the names.
Hard cover, 22x24 cm.
Editions CEDIC, Paris, 1971, Collection "60+".Condition: Top of spine is detached from covers, 8 cm long, and maintained with a piece of transparent scotch tape). Covers and interior very good. Overall: VG.
First monograph on this subject, very well documented. An important source book. The term "Mail Art" was coined by J.-M. Poinsot on the occasion of the writing of this book. Very probably, THE source book on the subject.
Reference:
A. Moeglin-Delcroix, Esthétique du livre d'artiste, 1995, p. 364.
Stéphane MALLARMÉ
Un coup de dé jamais n'abolira le hasard. Poème. 1914.
Unpaginated (32pp.).
Original wrappers. Sewn.
33x25.6 cm.
Original edition.A copy of the regular edition printed on Vergé paper after the numbered 10+90 of the deluxe edition.
Paris, Nouvelle Revue Française, 10 juillet 1914.
Covers show little aging and light wear to edges, corners and spine. Inside very good+.
A very good+ copy.
Annette MESSAGER
D'Approche. 1995.
Artist book. Deluxe edition copy of this book we published.
(56) pages/plates. Loose, as issued. Wrappers. Paris, Archives, J.D. Carré, 1995.
1/30 copies of the deluxe edition, including 27 original b./w. mounted photos (gelatin silver prints) and 3 pages of original handwritten text by the artist: "Viens"; "Va-t'en"; "Viens-Va t'en" (Come; Go away; Come-Go away).
Housed in a white cardboard box 19.5x14.5x1.6 cm, tied with a black cord.
Numbered and signed by A. Messager in the colophon page.
Bruce NAUMAN
LAAIR. 1970.
Artist book.
12p./pl. 10 color illustrations. Stapled printed wrappers.
30.5x30.6 cm.
Multiples, NYC, NY, 1970.
Originally published as an element of the boxed set Artists and Photographs. 1st edition of 1,200.
B. Nauman's printed signature on the back cover in black ink.
Gina PANE
Nourriture (Extrait). Freignac. 24.11.71.
Print.
Four (4) photographs of the action ("Nourriture / Actualités télévisées / Feu") silkscreened on a wooden panel painted in white.39x39 cm.
In the lower left part, text in French by G. Pane, handwritten in black pencil: "Durant une heure trente, j'ai ingéré et rejeté 600 grammes de viande hachée, jusqu'à avoir réussi à perturber le rapport entre: l'organe de l'appareil digestif (instrument servil(e) du "déterminisme" biologique) et la pulsion instructurelle de nutrition ... Extrait de Nourriture 24.1.74. Freignac- Paris".Numbered E.A. (Artist Proof) of an unknown edition size, dated and signed by G. Pane in black pencil.
Provenance: The artist, Private collection.Authenticated by Anne Marchand
Gaetano PESCE
Le Futur est peut-être Passé. The Futur is perhaps Past. 1975.
Exhibition catalogue/Artist book.
6 separate accordion folding out booklets, loose, bound with a metallic clip inside a soft gray faux marble soft plastic cover.
Unfolded and mounted together, as they have to be, the booklets form a long leporello which comes up to approximately 200 cm.
Texts in both French and English by G. Gassiot-Talabot, A. Mendini, F. Barre, Y. Nakahara, G. Pesce. 32.8x18 cm. E
ditions du Centre George Pompidou, Paris/Centro Di, Florence, Italy, 1975.
A real artist book, designed by G. Pesce for his show at the Centre de Création Industrielle, Etablissement Public du Centre Beaubourg, Musée des Arts Décoratifs, Paris, France, Januray 8 - March 9, 1975.
Martial RAYSSE
Bel Eté Concentré. 1967.
Print, artist book, metallic tube.
Print:
Silkscreen ink on synthetic velvet.
Secured at ends with two wooden rods.
185x48.50 cm.
Book, to be inserted in the breast pocket of the jacket:
Handpainted collages.
Bound in real vellum.
8.5x8 cm.
Sergio Tosi, Milan, 1967.Metallic tube: 53 cm high; diameter: 13 cm. "Martial Raysse" printed in green silkscreen ink on the body of the tube.
Edition of 80.
Signed and numbered in the colophon page of the book.Published by Sergio Tosi, Milan, 1967.
Condition:
This copy is in absolute perfect condition. As new.
Colors are intense, frank, deep, fresh.
Synthetic velvet background is still smooth, soft. No fold, crease, tear, lack.
It comes rolled in the original protection paper, inside its original metallic tube.
Kept from the beginning rolled in the tube.
Tube, book and print are in an exceptional perfect condition.Reference:
Catalogue of the Martial Raysse retrospective exhibition, Jeu de Paume, Paris, Carré d'Art, Nîmes, France, 1992, p. 108.
Dieter ROTH
Murmel. (1974).
Artist book.
176pp. of sound/visual poetry.
Softbound.
18.2x11.7cm.
Edition of 232 unnumbered copies.
[Stuttgart, H. Mayer, 1974].
Signed and dated 74 by D. Roth inside the back cover in black pencil.
Reference:
D. Roth, Gesammelte Werke Band 40, Bücher und Grafik (2. Teil) u.a.m., n° 69.
Edward RUSCHA
Every Building on the Sunset Strip. 1966.
Artist book.
A long horizontal strip of white paper folded in 53 panels.
Offset b./w. photos printed all along the strip.
Wrappers.
Accordion folded in a silver-foil covered card slipcase.
Folded: 18.1x14.4 cm. Unfolded: 18.1x696 cm.
(Edward Ruscha, Los Angeles), 1966.
1st edition, (of 1,000.00 unnumbered copies), 2nd state.
Condition:
Book: very good+ in spite of slight crease to spine; contents perfect.
Slipcase: very good+ condition.
A very good+ copy, near fine.
Reference:
L.R. Lippard: Six years: the dematerialization... p. 11-12. Cat. Printed Matter, 1977, p. (55). A. Moeglin-Delcroix p.27, reproduced; Engberg B4 reproduced p.84 to 89; Roth 182 to 185. Hasselblad 198-20. Drucker 179. Parr & Badger volume II p. 142-143.
Edward RUSCHA
Thirtyfour Parking Lots in Los Angeles. 1967.
Artist book.
Unpaginated. 34 parking lots in 31 b/w offset photos (of which one folding out) by Art Alanis.
Soft cover with glassine dustjacket.
25.3x20.3 cm.
Self-published, n.p. (Los Angeles), 1967. 1st edition, 1st printing of 2413 copies.
Book: vertical tear (1.5 cm long) to the lower edge of the front cover: Very good+. Glassine: with light yellowing at sa few places, small lacks to edges and spine top: Good. A very good copy.
Reference:
Siri Engberg and Clive Phillpot, "Edward Ruscha : Edition 1959-1999, Catalogue Raisonné," Walker Art Center, Minneapolis, MN, and Distributed Art Publishers, New York, NY, 1999, n° B5.
Parr/Badger; The Photobook: A History, Vol. II, 140-141.
L.R. Lippard, Six Years: The dematerialization of the art object from 1966 to 1972, New York, NY. 1973, p. 22.
Andrew Roth, ed., The Open Book. Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004, 198-200.
Edward RUSCHA
Babycakes with Weights. 1970.
Artist book.
52p. with 22 photographic illustrations. Baby-blue mattwrappers with title in green felt-like flocking material on cover, bound with a pink satin ribbon.
19.1x15.2 cm.
Multiples Inc., New York, 1970. 1st edition of 1200.
Originally published as an element of the boxed set Artists and Photographs. .
Photographs by Ed Ruscha, Elizabeth Claman, Sid Felsen, Jerry McMillan and Danna Ruscha.
Condition: Exceptional fine condition, absolutely "as new".
Reference: Engberg B11 reproduced p106-107.
Edward RUSCHA
Colored People. 1972.
Artist book.
(64)p. of which 15 offset colored photo plates.
Soft cover. 17.8x14 cm.
Self-published, (Hollywood), 1972. First edition of 4,065 copies.
Tiny bump to top of the spine with a microscopic lack of color, otherwise perfect.
SIGNED by Edward RUSCHA.
Reference:
No. B16 in Siri Engberg and Clive Phillpot, "Edward Ruscha : Edition 1959-1999, Catalogue Raisonné," Walker Art Center, Minneapolis, MN, and Distributed Art Publishers, New York, NY, 1999, pp. 126. [64] pp.
"The Works of Edward Ruscha," Hudson Hills Press, New York, in association with the San Francisco Museum of Modern Art, 1982, pp. 169. Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004.
Katharina SIEVERDING
CONTINENTAL III. 1973.
Photograph.
Black and white gelatin silver print.
Framed on a wooden board behind a clear Plexiglas panel.
42x60 cm.
Signed, titled and dated at the bottom.
Also signed, titled and dated on the back of the wooden panel.
Provenance:
Galerie F. Lambert, Milan; Private collection, Paris.
Exhibition:
Comune di Parma, 1978, orgainzed by Giancarlo Bocchi.Rerpoduced in TRA, Italian contemporary art magazine (see tra archives).
BEN (VAUTIER)
La Jungle de l'Art. 1990.
Edition. Game.
A copy of the Deluxe edition of 50.
Painted black wooden box (every box of the deluxe edition copies is different) containing:
a folding game table and a dice
550 cards "Histoire de l'Art" (Art History); 54 cards "C'est la Vie" (That's Life); 54 cards "Théorie" (Theory); 54 blank cards
8 plastic animals
a cardboard box
4 plastic fences
a silkprint on black cloth numbered and signed, text "La Jungle de l'Art" printed white
a folded poster
a game rules sheet
Box: 29x36x7.8 cm.
Flammarion, Paris, 1990.
Realized for the show at the Centre de Création Contemporaine, CCC, Tours, France, 1988.
Edgardo Antonio VIGO
La Biblia relativuzgir's. La Biblia es Visual. 1958 ("1950 i 8").
Artist book.
Covers and pages of light cardboard of various colors. On each of the pages, including the covers, holes has been cut out by E.A. Vigo. Front cover covered with kraft paper with printed label (title and edition size) mounted on it, 2 double pages (1 black, 1 orange), 1 single page, green, 1 colophon page on white paper + 1 card cut to the size of the page which the reader can use to feature the holes.
Loose.
18x9 cm.
Made with the collaboration of Igor Orit, Otto von Mascht (two of the various E.A. Vigo's pseudonyms).
Letterpress printed (only the title and the colophon pages are printed).
Edition "Clandestina" (handwritten), in fact, self-published, La Plata, Argentina, 1958.
First edition of 40, numbered in black ink in the colophon page.
Complete.
Very good+ condition, almost fine.
One of his very first works of "Arte a realizar, Arte total", works to be realized by the observer.
Extremely scarce.
Reference:
Catalogue "MAQUINAciones", Edgardo Antonio Vigo: Trabajos 1953-1962, Aug./Sept. 2008, CCEBA, Buenos Aires, p. 78; 117 and p. 128, n° 17.
Catalogue CCEBA:
"Vigo denomina relativuzgir's a los objetos, colages y dibujos realizados en ese periodo. Según su propia definición, esta palabra sintetiza tres aspectos esenciales de su quehacer: lo relativo, base filosóficamatemática de Einstein, la electricidad como elemento actuante y la propiedad de girar, es decir escaparse de la REPRESENTACION del movimiento por el movimiento en sí".
Andy WARHOL
Portraits. 1970.
Artist publication.
Seven (of eigth) offset plates. Loose as issued, in a mylar folder, including a printed sheet, list of the plates: Mona Lisa, Texan, Jackie, Elvis, Marilyn Monroe, Self-portrait, Liz as Cleopatra. Lacks the Cow Wallpaper plate.
Originally published as an element of the boxed set Artists and Photographs.
1st edition of 1,000.
Condition: Mint/As new.
Lawrence WEINER
Broken Off. 1974.
Print.
Linotype.
55x31 cm.
Signed by Johannes Cladders, Monchengladbach Museum director.
Dated 28/11/74 and numbered.
Edition of 90.
It comes with the photocopy of a letter by Lawrence Weiner:
"The work itself: BROKEN OFF is a public freehold. The multiple functions as a means of presentation of a work + the signature of at that time the Director of a Museum that the work is art (I believe that his position gave him the credential of an expert).
In effect the edition is a ticket to ride.
I cannot influence how you choose to utilise the edition & the work
The artist may construct the work
The work may be fabricated
The work need not be built
Each being equal & consistent with the intent of the artist the decision as to condition rest with the receiver upon the occasion of receivership."
We are interested in purchasing artist books, multiples, prints and unique artworks by these artists.
Please contact us.Nous sommes intéressés par l'achat de livres d'artiste, estampes, multiples et oeuvres uniques de ces artistes.
Merci de nous contacter.
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a__/r__/c__/h__/i__/v__/e__/s__
archives contemporary art - jean-dominique carre
jean-dominique carre
52 rue mazarine f -75006 paris france
tel. (33)(0)1 43 54 12 64
contact: archives.carre (at) wanadoo.fr
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