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archives jean-dominique carre contemporary art 52 rue mazarine f -75006 paris france- archives.carre(at)wanadoo.fr

 

 

 

recent acquisitions

 

 

 

John BALDESSARI: Brutus Killed Caesar  

John BALDESSARI

Brutus Killed Caesar. 1974.

Artist book.
70 offset photo plates.
Spiral binding.
10 x 27.5 cm.
The Emily H. Davis Art Gallery of the University of Akron with the collaboration of the I. Sonnabend Gallery, New York and the Ohio State University of Columbus, Ohio, (1974).
As new.

References:
Lyons J.: Artists' Books, p. 119; John Baldessari, The MOCA, Los Angeles, 1990, p. 247; A. Moeglin-Delcroix, Esthetique du livre d'artiste, p. 275.

 

 

 

 

Robert BARRY  Untitled  (NOT ALWAYS/DIMINISHING/NOT THAT MUCH/WRONG/AS IS/THERE/FRANTIC/CONTRADICT)    

Robert BARRY

Untitled
(NOT ALWAYS/DIMINISHING/NOT THAT MUCH/WRONG/AS IS/THERE/FRANTIC/CONTRADICT)

Pale gray ink on white washing card.
Full sheet.
47.4 x 58.7 cm (18.66 x 23.11 in.).
Unframed.
Words written at the very edge of the sheet of paper.
Dated (19)78 and signed (initials) on the reverse at the four corners in pale gray ink: R/B/7/8.
Condition: Tiny light red spot in the center of the sheet. Light crumpling top right. General condition: very good/fine.
Provenance: Private collection, Paris, acquired from the artist.

Details: "WRONG" "AS IS"; "NOT THAT MUCH'":

..Barry-1979-Detail.1.jpg. ..

 

 

 

 

Robert BARRY  Untitled (AFFECTION/LOOKING/EASY TIME/HIDDEN/SEIZE/TOO MUCH/SO IT SEEMS/HOPE)    

Robert BARRY

Untitled
(AFFECTION/LOOKING/EASY TIME/HIDDEN/SEIZE/TOO MUCH/SO IT SEEMS/HOPE)

Pale gray ink on white wove paper.
Untrimmed full sheet of paper.
56 x 76.2 cm (22.05 x 30 in.).
Unframed.
Words written at the very edge of the sheet of paper.
Dated (19)79 and signed (initials) on the reverse at the four corners in pale gray ink: "R/B/7/9".
Unframed.
Condition: Flat light fold top right, scotch tape pieces traces on the back. Fine.
Provenance: Private collection, Paris, acquired from the artist.

Details: "SEIZE" HIIDDEN"; "AFFECTION" HOPE":

.Robert BARRY  Untitled (AFFECTION/LOOKING/EASY TIME/HIDDEN/SEIZE/TOO MUCH/SO IT SEEMS/HOPE)..

 

 

 

 

Gianfranco BARUCHELLO Untitled (Rosengarten  

Gianfranco BARUCHELLO

Untitled (Rosengarten)

Color silkscreeen print and collage.

55.3 x 89.5 cm

Two cardboard collage pieces: 9 x 4 and 4 x 9 cm

Signed and numbered "e d'a" (epreuve d'artiste; artist proof) in black pencil in the lower right corner.

Gianfranco BARUCHELLO Untitled (Rosengarten

Condition:
Fold to upper right corner (11 x 11 cm); lower right corner bumped and creased; creases along the lower edges near the corners. Somewhat solied, all over.
General condition: Good
.

 

 

 

 

Lourdes CASTRO D'Ombres Artist book  

Lourdes CASTRO

D'Ombres

Artist book.

25 plates under a transparent cover.
Entirely screeenprinted, after the photographs of the L. Castro Theatre d'Ombres.
Soft cover. 20 x 30 cm.
Schraenen, Antwerp, 1974.
Edition of 20 + 250 numbered and signed by both G. Schreanen and L. Castro. One of the 250.
Fine.

 

 

 

 

Hervé FISCHER; Pierre RESTANY  La Vie d'Artiste

Hervé FISCHER; Pierre RESTANY  La Vie d'Artiste

 

Hervé FISCHER; Pierre RESTANY


La Vie d'Artiste


10 sérigraphies d'Hervé Fischer avec un texte de présentation et un mot décroisé de Pierre Restany. Bien complet du sifflet.
T
rès bon état.

Sérigraphies 1 et 2 tirées par l'artiste et C. Clemenceau. Sérigraphies 3, 4, 5, 7, 8, 9 et 10: Edition Mec-Art-Graphic, 100 rue de l'Ouest, Paris. Sérigraphie 6: édition VIVA, 14, rue de Cygne, Paris. Mot décroisé de Pierre Restany tiré par Jean-Claude Gaillard.
En ff. sous portfolio à lacets.

 

 

 

 

 

Lucio FONTANA Galerie A. Iolas, Paris

 

 

Lucio FONTANA

Galerie A. Iolas

Exhibition catalogue/Artist publication.

16p. of which 4pl. photo portraits by Mulas, Wolleh.

4 original interventions, double perforated pages of paper of different colors.

Lucio FONTANA Galerie A. Iolas

It comes with the invitation card, a double perforated sheet of glossy paper printed in colors: unfolded: 24.6 x 17 cm; picture: 8.5 x 12.5 cm.

Lucio FONTANA Galerie A. Iolas, Paris

Fine, near as new condition (two small marks of rusted staples on the back cover).

Published on the occasion of the show at Galerie A. Iolas, Paris, 1966

 

 

 

 

Ruth FRANCKEN Köpfe  

Ruth FRANCKEN

Köpfe.
Mit einer Einführung von Christos M. Joachimides.
Inscribed and signed copy.

Portfolio, containing 1 double sheet (title and colophon), 1 sheet (introductory text in German by von Christos M. Joachimides), 8 original full-page lithographs printed black.
Inside the original card slipcase.
Yellow cloth-covered card portfolio: 52 x 47 cm.
Published by Steinpresse Jochen Luft, Berlin, Germany, (1964).
First and only edition of 70 (60+10) copies, 60 from the stone press numbered 1-60 and 10 Hors-Comerce, numbered I - X.
This copy number 24/60.
Each lithograph is hand-printed and signed, numbered and dated in black pencil by the artist.
Complete.
Condition: Card slipcase worn. Portfolio's spine shows some discoloration, plates are in fine condition, as new.
Dedication in German and signature in black pencil in the second page.

 

 

 

 

Milan GRYGAR  Akustická Kresba 22 /Adagio

Milan GRYGAR  Akustická Kresba 22 /Adagio

 

Milan GRYGAR

Akustická Kresba 22 /Adagio

Vinyl record
.

7-inch vinyl record in original printed sleeve.
Side one: Akustická Kresba 22 (04:30 ).
Side two: Adagio (Zvuková Realizace (03:45).
Supraphon ‎– 1 39 9861, Czechoslovakia, 1969.
Record and sleeve in fine condition, as new.

Reproduced in the exhibition catalogue “Milan Grygar, Akustické Kresby a Partitury (Mialn Grygar, Acoustic Drawings and Scores)”, Galerie Zdenek Sklenar, Prague, Czech Republic, 2006.
Extremely rare.

 

 

 

 

 

Jannis KOUNELLIS  Untitled (3.50 Notte)

 

.

Jannis KOUNELLIS

Untitled (3.50 Notte)

Tar and graphite on white paper.
Framed in glass and wood painted white.
Picture: 42 x 29.7 cm (16.54 x 11.70 in.).
Framed: 50.6 x 38.6 cm (19.92 x 15.20 in.).
No date (2010's).
Signed in black ballpoint pencil in the lower right corner.

Provenance: The artist; private collection.

 

 

 

 

 

 

Claude LEVEQUE Paradize. 2005  

Claude LEVEQUE

Paradize. 2005.

Color photograph.
Photograph: 40 x 52.7 cm
Framed: 58.5 x 72 cm
Edition: 3/5
Dated, numbered, titled and signed on the reverse
Provenance: Galerie Yvon Lambert, Paris (Gallery's label pasted on the back); Private collection, Paris.
Fine condition.

Galerie Yvon Lambert's label

 

 

 

 

Richard LONG: Africa and England  

Richard LONG

Africa and England

Offsetlithograph, partly in colors, partly black and white.
Paper: 63.2 x 139.8 cm
Image: 23.9 x 104.8 cm
Text (left): "2 works one vanishing with the wind the other with the tide".
Text (right): "Richard Long Africa and England 1969"..


Unidentified. Very probably from an edition denied by R. Long.

The four central black and white photographs were used for "Rian Dance", part of the "Artists & Photographs" box, Multiples Inc., in association with Colorcraft Inc., New York, NY, 1970.
Fine

 

 

 

 

Untitled (Caravaggio's Medusa; Medusa Marina)  

Vick MUNIZ

Untitled (Caravaggio's Medusa; Medusa Marina).

Photographic image in colors, an adaptation of Caravaggio's Medusa (painted 1590), on a circular cast porcelain plate.
Diameter: 31.8 cm (12.5").
Edition size: unspecified.
Made by Bernardeau, Limoges, France.
It comes with its original packaging and the Norton Family's season greetings card.

The 1999 Peter Norton Family Christmas Project.

 

 

 

 

Michelangelo PISTOLETTO: Intermediterraneo. Love Diffrence. 2002  

Michelangelo PISTOLETTO

Intermediterraneo. Love Difference.

Silkscreen print on plexiglas mirror.
Inside the publisher's black paper folder.
Print: 25 x 35 cm
Edition of 500 numbered and signed in black felt pen in the lower left corner.
Publisher: Artistic Movement for an InterMediterranean Politic, 2002.

This print has been created to raise money to create and support the Pistoletto's "Love Difference" movement: "Love Difference- Artistic Movement for an InterMediterranean Politic aims to set in motion processes of exchange and interaction between different cultures. Art is means of proposing innovative patterns for society also in its politics. The Mediterranean is an ideal starting place to understand, accept and love difference". M. Pistoletto.
"Support Love Difference in its commitment to offering society a new model of cultural integration. Love Difference is a movement whose goal is a new conception of art and creativity, which promotes projects that respond to current social problems. Love Difference proposes solutions that offer the assurance of social responsibility in the world of creativity."

One of the realizations of the Pistoletto's program "Progetto Arte".

 

 

 

 

rat bastard protective association  

RAT BASTARD PROTECTIVE ASSOCIATION

Untitled (Pasted paper around Michael Mc.Clure)

Collage
Paper, gouache, ink.
Contemporary frame.
Picture: 31.5 x 24.3 cm
Framed: 44.3 x 36.5 cm
Signed and dated 1968 in the lower right corner.

Paper label pasted on the back with typed text:
"Pasted paper around Michael Mc.Clure
Rat bastard protective association
(Mc.Clure, J. Defeo, J. Brown, W. Berman)
California 1968
Banfield Edition
2707 Jenner St
Baltimore MD 21209"

More: RBPA

THE RAT BASTARD PROTECTIVE ASSOCIATION, an underground arts association, was founded by Bruce Conner in 1959 in San Francisco, three years after the Allen Ginsberg's poem "Howl" and its public lecture, two years after the Jack Kerouac's "On the Road". The San Francisco "Bay Area" became the place where a new generation of writers, painters and musicians rebelled against the "American academicians", the place where the Beat Generation was born. The society marginalized violently the new culture and its upholders. In this hostile context, in which the underground movement were rejected and marginalized, treated like rats, Bruce Conner forged the name of Rat Bastard Protective Association, coined after the name of the "Scavengers Protective Society", the San Francisco garbage collectors company and from the Pre-Raphaelite Brotherhood (PRB, like the Rat Bastard's RBP). The members of this informal group were, besides Bruce Conner, Manuel Neri, Joan Brown, Jay DeFeo, Wally Hedrick, Wallace Berman, Jess Collins, George Herms, Michael McClure, LG Williams

 

 

 

 

Martial RAYSSE. Galerie A. Iolas, Paris. 1965

Martial RAYSSE: Galerie Alexandre Iolas. 1965
 

Martial RAYSSE

Galerie A. Iolas, Paris

Exhibition catalogue.

Unpaginated. (28)p./pl. Text by O. Hahn, "Martial Raysse ou l'obsession solaire", biography.
4 full-page color lithographs printed by Fernand Mourlot: "Peinture à haute tension"; "Made in Japan en Martialcolor"; "Raysseland"; "Tableau dans le style français".
Photographs by Geroges Veron.
Soft cover.
20.7 x 16.8 cm.
It comes with 1) the list of the works, loose, and 2) the announcement (see left, folding card with Raysse's lithograph on the cover, text inside: folded: 12.5 x 16.6 cm; unfolded: 25 x 16.6 cm.
Title of the show: "...Made in Japan... Tableau horrible... Tableau de mauvais goût”.
Galerie Alexandre Iolas, Paris, June 10 - July 10, 1965.
Fine, near as new.

 

 

 

 

Edward RUSCHA Galerie Alexandre Iolas, Paris

 

Edward RUSCHA

Galerie Alexandre Iolas, Paris

Exhibition catalogue.

Unpaginated.
Photoportrait in frontispice, 2pp. text in English by Henry T. Hopkins, 14 full-page illustrations, list of the paintings.
Soft cover.
21.2 x 15.9 cm.
Book design by Sergio Tosi.
Edward Ruscha’s second solo show in New York at Alexandre Iolas Gallery and his first exhibition catalogue, 1970.
As new.

 

 

 

 

Katharina SIEVERDING CONTINENTAL IV. 1973  

Katharina SIEVERDING

CONTINENTAL IV. 1973.

Unique.

Black and white gelatin silver print.
Mounted on a wooden board, under a clear Plexiglas panel.
42 x 59.5 cm.
Signed, titled and dated in black ink at the bottom of the picture, center.
Also signed, titled and dated on the back of the wooden panel.

Provenance:
Private collection, Paris.

 

 

 

 

Untitled (COLLAGE WITH TWO STRIPS GLUED TOGETHER) 1973

 

Richard TUTTLE

Untitled (COLLAGE WITH TWO STRIPS GLUED TOGETHER)

1973

Collage

Two strips of brown paper glued together on a white paper sheet.
Signed on the back in black pencil.
Framed with steel and glass.
Sheet: 35.3 x 28 cm (14.9 x 11.02 inc.).
Frame (contemporary): 50.5 x 42.5 cm (19.88 x 16.73 inc.).

On the back, top, written in black pencil in block characters:
"COLLAGE WITH TWO STRIPS GLUED TOGETHER BY RICHARD TUTTLE SUMMER 1973 (to Y. LAMBERT 7-4-1974)"

 

 

 

 

 

Edgardo Antonio VIGO  Composición mecánica / estética  

Edgardo Antonio VIGO

Composición mecánica / estética. 1958 ("1950 i 8").

Print.

Letterpress printed in two colors on one side.
30 x 50 cm.
Unsigned, unknown edition size.
(Self-published, La Plata, Argentina, 1958).
As new.

 

 

 

Edgardo Antonio VIGO  Bande Dessinée Hermétique Deuxième, 1973  

Edgardo Antonio VIGO

Bande Dessinée Hermétique Deuxième, 1973.

Artist publication.

16p. of which 5 plates. Loose, wrapped in a printed card portfolio.
Text in French.
Offset lithograph printed.
13 x 11 cm.
E.A. Vigo, La Plata, Argentina, 1973.
As new.

Reference:
Present in the National Gallery of Australia Library collection.

 

 

 

 

 

 

Andy WARHOL Electric Chair Andy WARHOL Electric Chair

 

Andy WARHOL

Electric Chair

Exhibition catalogue.

10p., ill., texts in French by Jean-Jacques Lebel, Alain Jouffroy and John Ashbery.
Folding print, reproduction of the "Blue Electric Chair".
Original illustrated white stapled wrappers.
26.5 x 18 cm.
Photographs by Shunk-Kender.
Published on the occasion of the show at Galerie I. Sonnabend, Paris, France, January-February 1964.
Fine (rust to staples).

 

 

 

 

Andy WARHOL Flowers

Andy WARHOL Flowers

 

Andy WARHOL

Flowers

Exhibition catalogue and announcement card.

(12)p., a one-color (blue) silkprint on offset, yellow endpapers. Text in French by O. Hahn. Wrappers.
Stapled bound.
14.5 x 14.5 cm.
Galerie Ileana Sonnabend, Paris, May 1965.
Includes the invitation card for the opening May 12, (1965), printed on one side in blue silkprint and on the other side in black offset flowers.
Card: small light crease to the announcement card upper right corner; Catalogue: small abrasion on and a tiny (2 mm -0.7 inc.- long) crease to the lower edge of front cover. Overall: very good+, near fine condition.

 

 

 

 

Andy WARHOL Flowers Sonnabend
.
Andy WARHOL Flowers Sonnabend
 

Andy WARHOL

Flowers

Exhibition catalogue.

(12)p., a one-color (blue) silkprint on offset, yellow endpapers.
Text in French by O. Hahn.
Wrappers.
Stapled bound.
14.5 x 14.5 cm.
Galerie Ileana Sonnabend, Paris, May 1965.

Fine

 

 

 

 

Andy WARHOL  Blumen (Flowers)

Covers

 

Andy WARHOL

Blumen (Flowers)

Exhibition catalogue.

A folded red paper sheet printed black, loose inside the publisher's illustrated card folder (flowers in color offset lithograph on both front and back covers).
Text in German by Udo Kultermann.
24 x 16.3 cm.
First A. Warhol's solo show in Germany, at Galerie M.E. Thelen, Essen, November 26 - end of December, 1965.
Fine.

 

 

 

 

Andy WARHOL  The Thirteen Most Wanted Men Andy WARHOL 13 Most Wanted Men

 
 

Andy WARHOL

The Thirteen Most Wanted Men. Police department, City of New York. Dossier N° 2357. 1967.

Exhibition catalogue/ Artist publication/ Print.

5 leaves (3p. text in French by Otto Hahn, 2p. biogr.).
1 b/w silkscreen print: offset printed photo portrait of one of the thirteen most wanted men: John Joseph H (photo by Shunk-Kender, 21 x 17 cm).
Inside a card folder, pages and print stapled to the back cover, inside.
26.5 x 18 cm.
Galerie I. Sonnabend, Paris, 1967.

 

 

 

 

Andy WARHOL / Fred W. McDARRAH: Andy Warhol in Bandmaster Costume, 1967  

Andy WARHOL / Fred W. McDARRAH

Andy Warhol in Bandmaster Costume, 1967.

Poster.
Black and white offset lithograph on matte paper.
After the photograph by Fred W. McDARRAH taken in St. Mark's Place, New York City, December 9, 1966.
108.5 x 75cm.
Published by Personality Posters, NY, 1967, under the reference "169 Andy Warhol".
Rare image and poster of Andy Warhol.

Fred W. McDARRAH (1926-2007) was a famous The Village Voice staff photographer.

 

 

 

 

Andy WARHOL Most Wanted Men  

Andy WARHOL

Most Wanted Men

Andy WARHOL Most Wanted Men

Exhibition catalogue.

A single card sheet folded in two.
Full-page offset printed portrait of one of the Most Wanted Men series on the last page.
22.2 x 14.6 cm.
Show at Rowan Gallery, London, March 8 ­ 28, 1968.
VG+/Fine.

 

 

 

 

Andy WARHOL: Musée d'Art Moderne de la Ville de Paris (Cow). 1970  

Andy WARHOL

Musée d'Art Moderne de la Ville de Paris (Cow)

Exhibition catalogue.
Twelve-page leporello.
Color silkprint illustrations, of which two full pages and a photo portrait of A. Warhol. Text in French by G. Brownstone and A. Pacquement.
Folded: 20 x 26.5 cm.
Unfolded: 120 x 26.5 cm.
Published on the occasion of the A. Warhol solo show at the MAM, Paris, Dec. 16, 1970 - Jan. 14, 1971.
Fine.

 

 

 

 

ndy WARGHOL Mao wallpaper  

Andy WARHOL

Mao Wallpaper

Silkprint on wallpaper.
Full sheet.
100 x 75.5 cm.
Published for the Warhol exhibition at the Musée Galliera, Paris, France, February 23rd - March 18th 1974.
Printer: Bill Miller's Wallpaper Studio, New York.
Publisher: Factory Additions, New York.
Unknown edition size of which approximately 100 signed.
Signed (lower right) and inscribed (lower left) in black felt pen.

Condition:
Two parallel short (2 cm long each) light soft creases in the middle of the paper, repeated vertically every 10 cm from top to bottom, due to the rolling of the sheet at the very beginning (then it has been kept flat and framed from almost the origin), almost invisible.
On the back, a small stain (6 x 3 cm), invisible on the front.
Overall: Fine condition.

References:
Schellmann II 125 A.
Kynaston McShine (ed.): "Andy Warhol: A retrospective," catalogue of the show, MoMA, New York, 1989, p. 332.
Eric Shanes: Andy Warhol, La vie et les Chefs-d'oeuvre, New York, 2004, p. 164.
David Bourdon: Andy Warhol, Flammarion, Paris, 1965, p. 319, #248.

Inscription. Andy WARHOL Mao Wallpaper Inscription ......... Signature Andy WARHOL Mao Wallpaper Signature


 

 

 

 

 


We are interested in purchasing artist books, multiples, prints and unique artworks by these artists.
Please contact us.

Nous sommes intéressés par l'achat de livres d'artiste, estampes, multiples et oeuvres uniques de ces artistes.
Merci de nous contacter.

 


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a__/r__/c__/h__/i__/v__/e__/s__
archives contemporary art - jean-dominique carre
jean-dominique carre
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tel. (33)(0)1 43 54 12 64
contact: archives.carre (at) wanadoo.fr



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